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Parallel to a career as a business executive, I started my  artistic life in 1968 making photography and working in the darkroom for a group of Avant Garde artists in Paris until 1973.

 

​Strongly influenced by Jean Tinguely, I then created a series of sculptures involving metallic parts, electric motors, and found objects which were exhibited as "Mecasculptures' in La Grande Arche in Paris in May, 2000. One piece of this exhibition, Awesome is a fanciful homage to Tinguely and Niki de Saint Phalle, with a mirror, a moving double photograph of the pair, and a voice interacting with the viewer as they look in the mirror.

 

​Moving to San Diego, I became attracted to photo manipulations in the early days of Photoshop and actively participated as a member of the Digital Art Guild exhibiting two to four times per year . During the same time, I had an artistic partnership with photographer Jeanine Free, leading to the curated exhibitions at Gallerie 21 in Balboa Park, San Diego: The Real Life of Mannequins, Don't Tango in Berlin, and Rue St Honore.

 

​Still working with metal, I was selected by a jury among 200 international artists, for a year-long exhibition "Urban Trees 4" sponsored by the San Diego Unified Port District who acquired my Orange Tree.

 

​In 2014, I met with Joe Brubaker and became an active member of The Exquisite Garden Project which led to my participation in The Visible Transparency Project in San Francisco (2014), The Found Space Project in Jackson, Wyoming (2015), Station 11 at the ICB building in Sausalito (2017), and the Art Museum of Oceanside.

 

My collaboration with Joe Brubaker resulted in two sculptures exhibited by Seager Gray Gallery in 2016 and 2017.